Fine Art Scanning
It’s unique, neither a scanner nor a camera but a hybrid that gives unbelievable resolution whilst lighting your artwork to resolve detail invisible to the naked eye. It is called a Cruse and is a rare device, owned by such organisations as the Guggenheim, the V&A Museum and NASA.
Our Cruse scanner is equipped with technology to digitise and reproduce any original artworks be they oil paintings, watercolours, drawings or collages. It also handles textiles and 3-dimensional objects within reason.
The scanner produces consistently precise files, whether you are archiving your creations before parting with them or creating a run of limited edition prints for budding creatives.
The Cruse Scanner has always been the industry standard for decor and design. Offering the optimal solution for digitally capturing materials for wooden floors, furniture design, ceramic tiles, wallpaper production, and fabrics.
It is the best option to digitise rare and valuable materials such as hardcover books, documents and old city maps, making the Cruse Scanner an interesting option for libraries and archives, but also for museums and art reproduction companies.
Scanning Pricelist
Scanning Pricelist
Dive into the details!
Our Cruse Scanner boasts high-resolution capabilities, capturing the nuances of your artwork at a level that guarantees clarity and sharpness in every scan.
No artwork is too large or too small for our Cruse Scanner! Its large-format capabilities allow us to scan artworks of various sizes, preserving the essence of your masterpiece without compromise.
Curious to see this technological marvel in action? Visit The Copper House and witness how our Cruse Scanner transforms your artwork into high-resolution digital files, ready for the next chapter of its creative journey!
“I use Copper House to scan my paintings for prints. After many disappointing experiences trying to capture the texture of encaustic, Copper House won me over with their cruse scanner. The work that Mark and the team do is exceptional.
I wouldn’t want to produce prints without them”